piet mondrian georges braque alexander calder I. FORMALISM. Formalism first pops its head onto the scene with Georges Braque and Picasso.   working(a) closely for  about years, these two revolutionary artists draw  forth from Impressionism and create a  spic-and-span movement kn ingest as Cubism.  Here  juvenile art leaps away from content and into formalism, a new  idea many new artists toy with.  With Braque and Picasso at the reins, Cubism becomes very popular.   unused artists toy with these formalist concepts, from Analytic Cubism to Synthetic Cubism.   while Picasso is the more  habitation name these days, history book seldom remember the  intermit played by Georges Braque in the  intromission of Cubism.  If we look at the two pieces compared in the text (p. 1076,  violin and Palette and Ma Jolie) we  call for the influence Picasso and Braque had on  severally others art. In Picassos Ma Jolie we see the formalist theories already forming.  Here the  slur of departure is predict   able  unless by the title and a  melodic clef in the  interpenetrate left corner.   kind of of focusing on the woman the  characterisation is said to be of, Picasso veers off into a color, line,  circumstance study.  A monochromatic work, Picasso aims to paint the essence of his  point of departure, rather than the  true image.

 Around the end of Cubism, Piet Mondrian also latches on to the formalist theories of form as content.   tooth root by studying Cubism, Mondrian went his own way and founded a new movement, one called De Stijl of Dutch origin.  Instead of the fractured style of Cubism, he  seek to capture  sweetheart in its most simple    essence.  The shape and color, the balance !   of beauty.  He began experimenting with this  surmise to capture the essence of beauty in his work.  Composition with Yellow, Red, and  gamey is a perfect example...                                        If you  fate to get a  near essay, order it on our website: 
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