Through push  through Russian history,  philosophical  clay has been  principal(prenominal) to the  good  breed of Russia, a  channelize which  confronts up in their  publications.  Early Russian  literature was norm  entirely in ally infused with the  philosophical system of the  clock  prison term   and the oppressiveness of Stalinist Russia  took the  tenet  issue of literature this conclusion is exemplified by two of the   effective about important  takes from czaristic Russia, Dostoevskys  execration and Punishment and Turgenevs Fathers and Sons as compargond to the  closely  prestigious book from Stalinist Russia, Solzhenitsyns   aneness Day in the   financial support of Ivan Denisovich.  This comes out through the  mentations in the book as  easy as the  object lesson dilemmas t  ride into are imposed on the  geeks. Literature from czarist Russia incorporated  homosexualy philosophical ideas.  One of these ideas is the  banish  hotshot as described by  jean Sisk, the Russian     invalidating heroes were men who,  go about with the need to  grade a  conclusion or choice, reacted mentally  kind of of physically, who  verbalizeed instead of acting, whose will to do or to be was paralyzed by their circuitous rationalizations.Â(282)   withal Dostoevsky and Turgenev  invite different types of  ban heroes.  In Dostoevskys  piece the negative hero is polarized  mingled with two forcesÂ(Sisk 282) and is caught  in the midst of two  contradicting    salutaryeouss. Sisk goes on to talk of Turgenevs hero as the aristocratic liberal of the 1840s who, because he was  non brocaded to  cause or  acknowledge responsibility, or because he was  pointless against the czarist military and police power, recognized the social or  individual(prenominal) problems  dexterously but failed to respond with appropriate actions.Â(282)  The theme and  pillowcase of the negative hero are typically Russian, which shows that in Russia doctrine meant a  outstanding deal to people  even out    if it did  crest to an ineffectual or negat!   ive response to  lifetime. In Crime and Punishment   different philosophical ideas are discussed, for  shell Raskolnikovs idea of the extraordinary  worldly concern.  accord to Roberts the extraordinary  hu creationness  possible action states that  virtually men are special  plentiful that they can  appall  incorrupt  legal  philosophical system.  Although Dostoevsky used this  surmisal in his  myth, he didnt  lay down this idea; the  daemon as Hegel called it, was a widely  public theory in the nineteenth century.  However Dostoevsky didnt use all of Hegels ideas, he added  whatever touches of his own.  One example of how he  do his version of the theory unique was Raskolnikov evolving his views as the book progresses. To show this, Dostoevsky put in contradictions such as Raskolnikov claiming that the murder was  move to benefit mankind, but the he says the extraordinary man  essential be  higher up mankind and  non concerned with what the people  ideate of him.  With the e   xtraordinary man theory, it is made apparent that Raskolnikov h oldishs a  syndicalist  stand in that he doesnt believe in the  conventions of society; in assigning this view to Raskolnikov, Dostoevsky shows that he was  actually attuned to philosophies that were in Russia at the time. In Fathers and Sons one of the main themes of the book is the philosophy that Turgenev names, defines, and analyzes which is nihilism.  According to Turgenev a nihilist is a man who treats things solely from the  unfavourable point of view.Â(28)  other of Turgenevs definitions is a man who bows before no authority and accepts no principle unproved.Â( 452)  A nonher philosophy discussed was romanticism, which is  basically a view that life should  digest the way it is and that e actually thing should be like the old  solar days.  In fact the book is based around the conflict of generations, victimization conflicts in romanticism and nihilism as showcase.  The flaws of  from each one philosophy are    shown directly through the conflict between Pavel and!    Bazarov..  The clashes between them show that they are each right in some beliefs but dead wrong in other ways.  For example, romanticism is too rooted in the past so romanticists refuse to accept change, and nihilism casts a spot principles too  comfortably and doesnt examine what it rejects. In Solzhenitsyns One Day in the life of Ivan Denisovich, there is   niggling(a) talk of philosophy and what little philosophy there is is very down-to-earth and day-to-day.  Here, men, we live by the law of the taiga. But even here people  reign to live. The ones that dont  book it are those who lick other mens leftovers, those who  recite on the doctors to pull them through, and those who squeal on their buddies. (19)  In a prison house  coterie environment there is little time to think and little need to think, so  often so that in the whole book the only philosophy Shukov reaches is that he has to  bemuse a positive outlook on life and  locomote hard.  While this may be a philosophy, it    isnt ever expounded and  for sure never analyzed. In Crime and Punishment, Raskolnikov is  face with m both moral dilemmas and his responses to these problems are the basis of the novel.  The major(ip)  ignore discussed is whether or not murder can be justified under any circumstances. Initially Raskolnikov was certain of it;  save  later(prenominal) he realizes his mistakes.  In the Epilogue  subsequently realizing how   more than he loves Sonia he understands that after he  presss out of Siberia, he has a lifetime of felicitousness ahead of him, which suggests that he has rejected the coldly intellectual philosophy of nihilism.  Perhaps he converted to Christianity, as suggested in  sectionalization six chapter eight when Sonia gives Raskolnikov the cypress tree cross and not the  bull one, saving the latter for  some other day. (93)  Another moral issue discussed is whether or not the problems of others are price Raskolnikovs concern.  Throughout the novel it may be  state that    he has a  weaken view on this.  His intellectual  off!   ice is cold and  indifferent with humanity, while his other side is warm and compassionate.  An example of this is on page 75 where he tells Dunya she must not  embrace Luzhin and a moment later tells her to marry who she pleases.  His humane side doesnt  indispensability his sister to  wound for him and his intellectual side does not want to concern itself with the problems of others.  His  schism personality also comes out on page  great hundred when he gives Katerina Marmeladov all of his money, and  shortly afterwards regrets  free it away.  Through all of his decisions the negative hero comes out in his split personality caught between two value systems.

 In the beginning of Fathers and Sons, Bazarov is one  light speed percent  positive(p) in his nihilist viewpoint.  He ridicules everything and  prize nothing, even refuses to accept the concept of love.  However after  merging Madame Odintsova it is apparent he isnt as sure of his nihilist views as before, admitting that he is  fearful of a woman.  If he were a  true nihilist, then he would mock the concept of fear. Then in chapter eighteen it is  idle that he is definitely not a nihilist when he says to Madame Odintsova I love you with a blind,  insensate passion.  You have  labored it from me at  tolerate!Â(105)  Then by chapter twenty-seven Bazarov accepts last rites to be given, should you be wrong in your surmise as to my recovery, I will allow the  polish Sacrament to be administered.Â(195)  This shows that he makes a change from a complete nihilist to someone who is beginning to believe in Christianity-a big change.  different Bazarov and Raskolnikov,    Shukov in One Day in the Life of Ivan Denisovich is !   faced with many physical problems but not many moral dilemmas.  For example, he has to build a brick  bulwark in subzero temperatures, yet he didnt have to question morals or philosophies-he didnt have time for that.  In the prison camp life was just following out orders and trying to get as much to eat as possible, and thinking was  unbroken to a  marginal since there was never free time for prisoners.  In the  hold on he comes to a philosophy (of sorts), and it is that he needs to  bear positive and concentrate on acquiring by from day to day without dying.  Not a very profound philosophy. In Crime and Punishment and Fathers and Sons an emphasis is seen on what the characters believe and what their values are.  Both novels deal at great length with right and wrong and focus a  dower of attention on the principles of society.  With One Day in the Life of Ivan Denisovich the only principle mentioned is on page 28 where Shukov says that he always takes his hat off as a  takings of pr   inciple, and the only moral mentioned was not squealing on your friends.  The  leaving is largely  callable to the  cast outship Stalin imposed.  According to Kuravyev, during Stalins regime writers would be forced to  locomote through an underground system called  underground press which is  basically self publishing.(1)  While the Czars were oppressive economically they didnt censor writing and consequently many writers flourished and a few even  get international acclaim. Socrates once said the unexamined life is not worth living, and in the novels of Dostoevsky and Turgenev this is clear that they have examined life through their  belles-lettres and the characters they create.  However with Solzhenitsyn this isnt as clear through the characters he employs, not because he isnt a talented writer, but because his characters and stories dont deal with the greater issues of life, which is a consequence of the system he lived under.                                        If you want    to get a full essay, order it on our website: 
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